Marantz 4270 User Manual

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Summary of Contents

Page 2 - Receiver

LF RF LR RR LF RF RF RR LF RF RF RF RR LR RR LR LF LF RF RF RR LR RR Figure 4. Speaker Placement 6

Page 3 - 'S

FRONT PANEL FE lURES MODE SWITCH MONO When the MODE Switch is in the MONO position, all input signals are summed. Speakers are driven as shown i

Page 4

__4li'a" .~• ~~270 dZu.a-~~2,.(J~A14/~ • grr ...~ co.~.. ooscrc¥5 M"""",,~• •"':;)-' ";;'.~D ~

Page 5

or to monitor the tape on a three-head recorder during recording, place the MONITOR (TAPE/ SOURCE) pushswitch in the "TAPE" (in

Page 6

FM MUTING SWITCH When tuning to FM broadcasts with the FM MUT-ING Switch in its "in" position, the muting circuit will eliminate inter-sta

Page 7 - SPEAKER

R ARPA E FEATURES PHONO JACKS These two jacks are intended for use with magnetic cartridges requiring a standard 47,000 Ohm resistive load

Page 8 - 'I

antenna will provide better reception. Two single wires are required to make an AM outdoor antenna. First, connect one end of a single wire t

Page 9

Terminals work as shown in Figure 13. 1) Press terminal in 2) Insert speaker wire 3) Release terminal CONNECTION TO AC OUTLET With the front p

Page 10 - Placement

BASIC DOLBY PROCESS The Dolby system increases the level of low-level, mid- and high-frequency signals during recording and reduces the level of

Page 11 - ,,'

Since the calibration is extremely stable and should not have to be repeated (except to period-ically check it), we suggest that you mark the

Page 12 - ~~2,.(J~A14/~

~ Model 4270 Stereo 2+Quadradial 4 R Receiver MARANTZ CO., INC.·P.O. BOX 99·SUN VALLEY, CALIFORNIA·91352 A WHOLLY·OWNED SUBSIDIARY OF SUPERSCOPE

Page 13 - 10. Stereophone

Mark the calibration positions on the recorder's record and playback level controls to avoid the necessity of re-calibrating after mak

Page 14 - OVU level

ANTENNA BALUN r--- - - - - - - - --,r-- - - - - -.---- - - - - - - - - - - - ----l FM FM FM EMlnER IF·STAGE LIMITER DETECTOR FOLLOWER FERRITE ROD AN

Page 15 - ~SHIElO

TECHNICAL DESCRIPTION GENERAL Figure 14 is a block diagram of the model 4270 Stereo 2 + Quadradial 4 Receiver showing main functional elem

Page 16

The Sound of Maran 7 IS tne C irnpellmq warmth nf (I Str idivariu I t is i:J riancmq 'lute i;l 11ClUgllt:y bassoon nd ttl plaintive call of Io

Page 18 - PROCESS

WAR A All parts of MARAN TZ product s are fully guaranteed for a period of THREE YEAR S from date of purchase, ex cept for tubes which are

Page 19 - 6. Record the tone

••• TABLE OF CONTENTS Connecting the 4270 2 Source Devices 4 Remote Speakers 4 Speaker Phasing 5 Speaker Placement 5 Front Panel Features 7 Mode Switc

Page 20 - '~

GENERAL DESCRIPTION Your Marantz Model 4270 is a high-quality Stereo 2 + Quadradial 4 Receiver developed by Marantz, a name famous for quality in

Page 21 - "1''

CONNECTING THE 4270 The 4270 can be used as a stereo or 4-channel Receiver. When using the 4270 as a stereo unit, the POWER MODE Switch o

Page 22 - DESCRIPTION

I II II REAR SPEAKER SySTEM R{PEAT WIRING AS FOR FRONT sPEAKER SYSTEM LEFT Figure 2. Loudspeaker System Connections 5. Using shielded audio ca

Page 23 - R is a trad emark of D

I I FRONT RIGHT REAR IlEFT REAR RIGHT IIFRONTLEF T f RONT 11. If phono is selected, put on a stereo record. If FM is selected, tune to a stereo

Page 24

SPEAKER PHASING To assure the best 4-channel or Stereo separation and frequency response, the following tests will verify that all four speaker

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